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    30 Tage Geld-zurück-Garantie

    30 Tage Geld-zurück-Garantie

    Kostenloser Versand

    Kostenloser Versand

    250 gepflanzte Bäume

    250 gepflanzte Bäume

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    Ratenzahlung über 12 Monate

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    Ashera
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    Rasteh
    Galileo’s drawing of the Moon
    The Aeon Moon pen
    After Galileo · 1610

    The Aeon Moon

    Silver and ebony, the Moon’s light and shadow.
    99
    Limited
    edition
    €2,200$2,500
    Within the EU, incl. VAT · €2,600 / $2,990
    Polishing a walnut Aeon by hand
    The Commission

    How the
    Moon began


    It began with a request. James Rasteh, a fountain pen collector and patron of ours, came to us with an idea: a fountain pen that carried the face of the Moon. He had already commissioned his first Aeon, and this one would be rarer still. We made it with him by hand, over eight months of prototypes, experiments and design. So much went into it that we chose to make it available to others, as a numbered edition of ninety-nine: the Aeon Moon, Rasteh Edition.

    The grip’s surface comes from a modified Voronoi tessellation: cells left irregular, the way craters are, yet close in size so the whole stays calm. It is graduated, too, the cells largest at the waist of the pen, where the Moon faces you, and smaller toward the ends, as the curve of a sphere carries them away.

    Every pen begins like this, in conversation. Bring us an idea and we will build it with you.

    Verwandte Produkte

    Alles shoppen
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    Aeon Moon Füllfederhalter

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    Für Sie in 4 - 6 Wochen gefertigt, mit persönlichen Updates.

    Der Aeon Moon ist ein Füllfederhalter aus schwarzem Ebenholz und Feinsilber, gefertigt in einer Auflage von neunundneunzig Stück.

    Sein silberner Griff ist Galileis Mondzeichnungen von 1610 nachempfunden: eine modifizierte Voronoi-Parkettierung, Zellen unregelmäßig wie Krater, von der Mitte des Stifts zu den Enden hin abgestuft wie die Krümmung einer Kugel.

    Die Feder ist aus massivem 950er Platin mit Iridiumspitze, als kursive Italic geschliffen für ausgeprägte Strichvariation.

    Jedes Teil wird in ganz Europa von Hand gefertigt; jede Feder wird von unserem Gründer poliert.

    Weitere Informationen

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    Galileo's Moon, from Sidereus Nuncius
    Galileo Galilei · Sidereus Nuncius · Venice, 1610

    The first map of another world


    In 1609 Galileo heard of a Dutch invention that made distant things look near, and set out to build a better one. He ground his own lenses, finer than any before, until the instrument could show what no eye ever had: that the Moon was no smooth and perfect sphere, but a world of mountains, valleys and craters. In March 1610 he published the drawings in a slim book, Sidereus Nuncius, the Starry Messenger. It was the first time anyone had shown the Moon as a place, and he saw it through an instrument of wood: a tube he turned by hand to hold the lens he had ground. That lens survives in Florence, framed in ebony. The Aeon Moon is ebony as well, the same material that first brought the Moon close, now shaped to carry it in the hand.

    First drawn
    1609
    Published
    Venice, 1610
    Lens kept
    Florence
    Galileo's telescope and lens, framed in ebony, Florence
    “A thing of beauty is a joy for ever.”
    John Keats · 1818
    Gaboon ebony, the body of the pen
    The Materials
    Fine silver, before the crucible
    Fine silver
    The Moon
    The Moon itself

    The two ends of light


    The pen is made from the two ends of light. Ebony is the deepest black the natural world gives a maker; silver is the most reflective metal there is, returning almost every ray that meets it. One takes the light in, the other gives it back: night, and the moonlight on it, held in a single hand.

    Ebony

    The black heartwood of Diospyros, dense enough to sink in water and fine enough to take a mirror polish. Its name has carried almost unbroken for three thousand years, from the Egyptian hbny to the Greek ebenos to our own, and it is the wood that gave French its word for a master cabinetmaker, the ébéniste.

    Silver

    The most reflective metal there is. The astronomers of old gave it to the Moon and drew it as a crescent for its sign, and the physics bears them out, for the Moon shines by reflection alone. Monday is still its day, in Lunes, in Lundi, in Lunedì.

    Provenance

    Ebony is now protected under CITES, and rightly so. We buy none of it new. Every Aeon Moon is turned from a single block our family has kept for decades, and we would ask you never to buy new ebony from a source you cannot trust. What little of it remains is worth more standing than cut.

    A hand-hammered silver sheet, martelé
    Martelé
    Planishing a silver form by hand
    Planishing a silver form by hand

    Struck by hand, for centuries


    Long before machines, silversmiths raised vessels from a single flat sheet with a hammer. Each blow left a small facet, and the facets together caught the light from a hundred angles at once. Because the work was done by hand, no two surfaces were ever alike. The French gave it a name: martelé, simply “hammered.”

    Hammered this way, silver becomes the nearest thing a hand can make to the face of the Moon: a field of small craters that scatters light from every angle at once. There is a geometry hidden in it, too. Each blow falls as a point, and where the blows meet they close into edges and cells, the pattern a mathematician would call a tessellation. The Aeon Moon begins there, and rather than leave the pattern to chance, draws it exactly, still by hand.

    The Aeon Moon is the only pen with a graduated martelé on the grip and rings, which makes it very natural and pleasant to write with.

    Voronoi

    The geometry nature draws


    A Voronoi tessellation divides a surface into cells, each one the territory of a single point: every place belongs to the seed nearest to it. It is the pattern of a giraffe’s coat and a dragonfly’s wing, of the cells in a leaf, of cracked earth and the honeycomb, the shape that turns up wherever life spreads from scattered points until the edges meet.

    We chose it for the grip because it is the Moon’s own logic: cells irregular, like craters, yet close enough in size that the surface stays even and comfortable in the hand, and graduated to the curve of the pen. This is the work we care about most, finding the mathematics inside beautiful things and letting it show, in the grain of a burl as much as the face of the Moon.

    Giraffe coat  ·  dragonfly wing  ·  leaf cells  ·  cracked earth  ·  honeycomb
    The Voronoi grip, in silver
    A dragonfly's wing, a Voronoi pattern in nature
    Dragonfly wing
    Georgy Voronoi, 1868 to 1908
    Georgy Voronoi · 1868–1908

    A Ukrainian mathematician who, with Minkowski, founded the geometry of numbers. He set the tessellation down in his final paper of 1908, having turned the idea over for years until it reached, in his words, its perfect form.

    The Nib

    The Rasteh Edition nib


    A solid 950 platinum nib, a rarity, made in small batches by Peter Bock AG. It is ground as a calligraphy nib, for the strong line variation James Rasteh writes with: broad on the downstroke, fine across.

    Unlike a plain italic, which writes on bare metal, its tip is iridium, the hard, low-friction alloy introduced to glide against the paper. Its edges are rounded a touch, so it holds that line variation without catching if the hand wanders. A more forgiving nib, and a more comfortable one.

    Material950 platinum, iridium tip
    FeedCustom ebonite, hand cut
    GrindCursive italic
    MarkEngraved “R”

    Prefer another? We grind any nib there is: fine, broad, oblique, needlepoint. Tell us which suits your hand.

    The Rasteh Edition nib, engraved R, in 950 platinum
    Turning a pen at the lathe
    The Making

    Made by hand, across Europe


    The silver grip is cast in Pforzheim, the old German city of goldsmiths, and finished by hand. The wood is turned in Munich by Bernhard, and Tore grinds each part to its precise fit. In Sardinia, Claudia brings every pen to completion: final assembly, alignment, finishing, quality control and shipping. Our founder, Marius Visser, polishes every nib by hand.

    Silver
    Pforzheim
    The foundry
    Wood
    Munich
    Bernhard
    Completion
    Sardinia
    Claudia
    A sunlit forest
    Art for good

    A hundred trees, for every pen


    We are artists before we are makers, and much of why we do this is the natural world the work comes from. Its grain, its patterns, its quiet order are the things we set out to show.

    So for every Aeon Moon, we plant a hundred trees with our partner Ecologi, and the woods we use are sustainable. What the pen takes from the world, it gives back, many times over.

    Planted per pen
    100 trees
    With
    Ecologi
    Wood
    Sustainable
    The Edition

    One of ninety-nine


    Black ebony and cast silver, with a grip drawn from the face of the Moon. Even the threads are turned in solid silver, so nothing on it wears with use. Each pen is numbered, made by hand, and built to be written with for centuries.

    The Aeon Moon is made entirely from noble and precious materials: ebony, silver and platinum.

    The 950 platinum nib
    The nib
    The Voronoi grip
    The grip
    The Aeon Moon
    The Aeon Moon, with its walnut case
    Ashera
    ×
    Rasteh
    The Aeon Moon

    Edition of 99 · ashera-design.com
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    The Walnut Phi Ballpoint Pen on Black Leather
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